This single volume brings together all of Poe’s stories and poems, and illuminates the diverse and multifaceted genius of one of the greatest and most influential figures in American literary history.
More than 600,000 soldiers lost their lives in the American Civil War. An equivalent proportion of today’s population would be six million. In This Republic of Suffering, Drew Gilpin Faust reveals the ways that death on such a scale changed not only individual lives but the life of the nation, describing how the survivors managed on a practical level and how a deeply religious culture struggled to reconcile the unprecedented carnage with its belief in a benevolent God. Throughout, the voices of soldiers and their families, of statesmen, generals, preachers, poets, surgeons, nurses, northerners and southerners come together to give us a vivid understanding of the Civil War’s most fundamental and widely shared reality.
“The Origins of American Photography” chronicles the emergence of a new visual paradigm, from the introduction of the daguerreotype in 1839 through the Civil War and the exploration of the West to the rise of popular photography in the 1880s. Beautifully designed and produced, with over 600 reproductions in tritone and four-colour, this important volume features works by all the leading practitioners of the time and by others who remain unknown. Many of these images are published here for the first time; all are from the acclaimed Hallmark Photographic Collection at the Nelson-Atkins Museum of Art. In a detailed and authoritative text, Keith Davis examines photography’s social history and aesthetic development in an era of rapid national growth. He demonstrates how key themes and genres - including the business of daguerreian portraiture, the markets for Civil War images, and the art of Western landscape photography - reflected the concerns and values of 19th-century society. Photographers of this era expressed a new national consciousness while at the same time they helped to shape it. The visual language of a radically new medium was also open to exploration, and they laid the foundation for all of photography’s subsequent history. This essential book will be the most definitive study of this period in American photographic history. It will be of interest to all scholars and enthusiasts of the medium, and to anyone interested in the visual history of 19th-century American culture. This book accompanies an exhibition at the Nelson-Atkins Museum of Art, Kansas City, 16 June 2007-January 2008.
In an inconspicuous wooden box that had long gone unopened, Akimitsu Naruyama discovered 365 photographs of people with congenital and pathological deformations. After looking at just a few pictures, the Japanese art dealer and collector knew that he had discovered an extraordinary collection of photographs. ~A doctor and photography enthusiast, Ikkaku Ochi practiced his profession in Okayama, a prefecture of Shikoku, one of Japan’s southern islands. He had his patients photographed during the last decade of the 19th century, producing images that are strikingly distinct from contemporary medical photographs, which serve as mere educational material and rarely as sensitive portraits of the diseased. Ochi’s patients were recorded with dignity and respect, though the exposed, diseased parts of their bodies are explicitly documented and not for the squeamish. Individual photographs reveal the physical manifestations of syphilis in its final stages, elephantiasis of the testes or breasts, and other medical conditions—conditions that today are almost completely suppressed by medication or vaccination.~Cruel and melancholic, these photographs seen today possess an undeniable elegance and uncomfortable beauty, qualities that Akimitsu Naruyama recognized immediately when he opened that forgotten wooden box. Edited by Akimitsu Naruyama. Hardcover, 11 x 12 in./300 pgs / 0 color 0 BW0 duotone 185 Tritone~ Item D20312
Description: 1 v. (unpaged) : ill. (some col. ) ; 32 cm. Subjects: Postmortem photography —United States. Notes: Includes bibliographical references. Impressively photo-illustrated throughout.
From 1845 to 1862, the Boston partnership of Albert Sands Southworth and Josiah Johnson Hawes maintained the most celebrated photography studio in the United States. Taking as their subjects both the greatest personalities of the day and the natural spectacles of the American landscape, such as Niagara Falls, Southworth & Hawes elevated the new medium of daguerreotype photography to the level of art. Transcending the mere recording of factual detail, their daguerreotypes reflect a quintessentially American aesthetic and embody an emerging national culture and spirit. Young America will be the most significant publication to date on Southworth & Hawes, featuring full-scale color reproductions of all plates in the exhibition as well as 2,000 additional black-and-white illustrations.
David R Godine, Publishers Gripptng and often shocklng photographs of and about deat Before the scientific advances of the 20th century death was a common and close companion, an expected visitor in infancy, childhood and adulthood. But death in our culture has became a taboo subject, the ultimate obscenity, a prospect of terror, and near disbelief. This extraordinary book, assembled from the archives of Harvard University, offers an unflinching look at death by violence, by suicide, by old age and disease. Essays by the author accompan the six sections, probing our responses and raising questions about the images on display in each section.
First published in 1973, this remarkable book about life in a small turn-of-the-century Wisconsin town has become a cult classic. Lesy has collected and arranged photographs taken between 1890 and 1910 by a Black River Falls photographer, Charles Van Schaik.
Secure the Shadow uses a combination of cultural anthropology and visual analysis to explore the photographic representations of death in the United States from 1840 to the present. It looks at the ways in which people have taken and used photographs of deceased loved ones and their funerals to mitigate the finality of death.
Ruby employs newspaper accounts, advertisements, letters, photographers’ account books, interviews, and other material to determine why and how photography and death became intertwined in the nineteenth century. He traces this century’s struggle between America’s public denial of death and a deeply felt private need to use pictures of those we love to mourn their loss.
Explore the many fascinating nineteenth century traditions associated with death and mourning. The widespread influence of England’s Queen Victoria perpetuated displays of grieving as she, her court, and loyal subjects remained in a state of mourning for over forty years. Over 300 color photographs display jewelry, photography and painted portraits, children’s, men’s, and women’s clothes; poems, letters of sympathy, armbands, procession badges, hair receivers, announcements, and horse-drawn vehicles that were specifically associated with death customs. Symbolism in written phrases, flowers, and objects is presented and many examples are shown. Over 70 pages of a Victorian hair jewelry catalog are included, showing hundreds of designs that could be ordered as keepsakes, often using your own hair. Today’s collectors of friendship and mourning memorabilia can expect to see antique items that not only speak of comfort and solace in times of need but continue to appreciate in value.
Decorative art created to memorialize and commemorate death has been a part of Western culture for centuries. Extraordinarily beautiful examples of mourning art and memorial jewelry for members of royalty and the aristocracy date back to the 16th century in England and Europe. Medieval references to commemorative art predate even the extant pieces now in museums. During the Georgian and Victorian eras, outstanding pieces of mourning jewelry and artwork were found in a majority of homes in America, Britain, and Europe. Without being morbid or macabre, this book provides a fascinating text about mourning practices and historical influences that shaped individual and cultural perspectives surrounding death in the 18th and 19th centuries. During these centuries, memorial art reached its zenith in artistic beauty and some of the finest examples from collections in America, England, France, Germany, and Switzerland are featured here. Over 500 color photos display jewelry, portrait miniatures, pottery and glassware, paintings and sculpture, posthumous photographs, hair-work memorials, and more. Current values are provided in the captions. Historians, dealers, and collectors alike will find this book an excellent resource for Victoriana, Georgian and Victorian memorial arts, and antique jewelry, subjects never before treated together in a single volume.
From bone fetishism in the ancient world to painted skulls in Austria and Bavaria: an unusual and compelling work of cultural history.It is sometimes said that death is the last taboo, but it was not always so. For centuries, religious establishments constructed decorated ossuaries and charnel houses that stand as masterpieces of art created from human bone. These unique structures have been pushed into the footnotes of history; they were part of a dialogue with death that is now silent.
The sites in this specially photographed and brilliantly original study range from the Monastery of Santa Maria delle Grazie in Palermo, where the living would visit mummified or skeletal remains and lovingly dress them; to the Paris catacombs; to fantastic bone-encrusted creations in Austria, Cambodia, the Czech Republic, Ecuador, Egypt, Germany, Greece, Italy, Peru, Portugal, Serbia, Slovakia, Slovenia, Spain, Switzerland, and elsewhere.
Paul Koudounaris photographed more than seventy sites for this book. He analyzes the role of these remarkable memorials within the cultures that created them, as well as the mythology and folklore that developed around them, and skillfully traces a remarkable human endeavor. 290 photographs, 260 in color
Sleeping Beauty III Memorial Photography: The Children enhances the history of postmortem photography and is intended as a reference for bereavement organizations, photographers, hospital staff and parents engaged in renewing the practice of memorial photography. This compilation of over 125 photographs documents images from photography’s earliest era (1840s) up to the present. The historic images are classic representations of American and European memorial cultural traditions. The modern photographs document contemporary practices of bereavement and memorialization. Case Bound Format: 6 x 6 3/4 in 136 pages, 130 Illustrations In four color